A few Thursdays back we posted our top ten favorite album covers. As this was a fun list to do, I thought it would also be fun to incorporate a quiz to go along with it. Albeit a little late, I give you our first album cover quiz. As per usual, we know it’s easy to find answers to these questions with the interwebs already at the tips of your finger tips, but in the words of the infamous Ron Dubach (if you don’t know who that is I am sorry … for you, not for the reference) “Cheaters stink like skunks!” Onto the quiz:
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Tune Test Tuesday: Album Covers
21 MayMetz Show Review
16 MayMetz
Lincoln Hall
May 12th, 2013
Chicago, IL
Rarely do I get to experience a show thats memories will be so forever imprinted on my life. Even if this is because my face will now be slightly more deformed than ever before, I still consider this a good thing. And no, I don’t say this because of some theoretical “face melting guitar solos”. This is because I shattered my nose on some dude’s shoulder while moshing halfway into the show. But before I get into that, let’s backtrack a bit shall we?
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Vampire Weekend Review Royale: Modern Vampires of the City
15 MayVampire Weekend
Modern Vampires of the City

Three albums into their career, Vampire Weekend has only progressively gotten better at their craft. In 2008 they released their self-titled debut, which proved to be a cerebrally focused pop-punk album that was a half hour of smart, heavily influenced fun. In the 2010 release Contra, the lyrics only increasingly became more clever, and the music became more layered and complex. Now enter Modern Vampires of the City, where that tack-sharp wit has only seemed to have gotten sharper once again, and their music still remains fresh. The formula is still there. It’s still a concise forty minute album that is chock-full of iconic and modern pop references as well as heavy influences from the likes of not only the usual comparisons of Paul Simon and The Clash, but even some Dick Dale and Buddy Holly. Bundle all this up with Vampire Weekend’s own unique form of jangly baroque-pop music with a bit of a punk-ass attitude and you have Modern Vampires of the City. They truly have become a unique staple to modern music, and one of the more intelligent bands of recent years.
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LxListening: Rapid Fire Album Reviews
8 MayWith the barrage of great music 2013 has offered up thus far, we at LxL are struggling to keep up with everything we feel we should be touching on. Enter our first mid-week entry of LxListening, and a new concept behind it: Rapid Fire Album Reviews. Granted, all of the albums listed below should be warranted their own full review, but three men at one post a day can only accomplish so much. So here we are in an effort to try and not let some of this springs most dominant releases slip through the cracks. If you haven’t already heard these, I urge you to give the following albums a listen:
Savages – Silence Yourself

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Top Ten Thursday: Best Album Covers
2 MayAlbum covers are an interesting thing. Some artists choose to not put a lot of time into them and just throw any old picture of themselves on there (Bob Dylan). Others try and go for the shock factor by being wildly offensive (Death Grips), while others either hire an artist or come up with a concept themselves. Storm Thorgerson was a graphic design artist responsible for some of the most legendary album covers of all time, including ones for Led Zeppelin, The Muse, Mars Volta, Black Sabbath, Peter Gabriel and most all of Pink Floyd’s album covers (yes, including the infamous prism cover for Dark Side of the Moon) as well as many more. Sadly, Storm passed away last week, and in his honor we bring you the following list. And no, our #1 has nothing to do with the fact that Storm designed it, we just love it that much. This list was fun because there are so many album covers we loved and wanted to include, but also hard because there are many albums we left off but wanted to include. I guess we will just have to do a sequel to this one some day. Onto the list:
10. The Strokes – Is This It

One of the sexiest album covers of all time was actually banned in America soon after the albums release. Stupid American censorship laws really know how to put a damper on a good thing.
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