Tag Archives: Radiohead

Top Ten Thursday: Best Artists of the Aughts (2000-2009)

18 Apr

best_of_the_aughts

This was a particularly tough list to put together.  On average, order one of our Top Ten lists takes about 45 minutes.  Over an hour and a half into our last meeting, we still only had the top six ironed out for this one.  We ended up just individually ranking the final eight candidates individually, and normalizing the results to select the final four on the list.  It worked out though, and I didn’t even have to swan dive off my balcony, as I threatened several times throughout the meeting.

So let me tell you a little bit about our decision making process in selecting the top ten artists of the first decade of the new millennium.  It was about as simple as weighing quantity and quality.  To some degree, we also factored in the amount of lackluster material an artist had working against them.  In the end, ever artist in the ten had at least three good to great albums during the decade.  Painfully, M.I.A., LCD Soundsystem, and a few others didn’t have the consistent presence throughout the entire decade like most others on here and missed out.  Also, great artists like Beck, Ryan Adams, Spoon, and Bright Eyes just missed out because while they had the quantity, their highs just weren’t quite as high as others on the list.

So there you have it.  Enjoy the read, and as always let us know who me missed, left off, or mistakenly included.

10.  The Strokes

the strokes, full band pic

The Strokes were one of those rare bands where the product lived up to all the hype preceding them.  They produced some refreshingly honest pop music that ushered a whole new group of fans into “indie” music.  Beneath the surface of The Strokes instantly accessible music were simple but perfect harmonies, taking them beyond what was expected of an early-20′s rock outfit in the early 2000′s.
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Radiohead & Wu-Tang Surprise With A New Collaboration Track … And It Is Awesome

1 Apr

Wu Tang and Radiohead

We all know Radiohead is into changing up their sound once and again, but this may be his biggest venture from their original platform to date. The two acts are quite the combination; one masters of alternative/electronica rock music, one masters of hip hop, and the two worlds collide into an explosive mash-up of fantastic weirdness. You wouldn’t necessarily pin-point the two as a good combo, but wait until you hear this track. When you have this many brilliant minds working together it is hard to go wrong. Let’s dive right in and analyze after. Enjoy:
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Atoms for Peace Review: Amok

26 Feb

Atoms for Peace

Amok

Atoms for Peace Amok album cover art

Atoms for Peace started very differently than many supergroups: on tour. The project started when Thom Yorke, frontman of Radiohead, released a sparse electronic solo album called The Eraser all the way back in 2006. In 2009, Yorke got the idea to tour the album he created mostly with his laptop with a live, organic band to bring it fully to life. Thom Yorke assembled a heavily percussive band in Flea (bass) of Red Hot Chili Peppers, Joey Waronker (drums) of Beck and numerous other alt-rock projects, Mauro Refosco (percussionist) of Forro In The Dark, and legendary Radiohead producer Nigel Godrich (programming, producer) to make this mostly synthesized, glitchy album full-bodied and warm-blooded. The nameless band debuted The Eraser and some fresh material live at the EchoPlex in L.A. in October 2009, and something really sparked with this all-star lineup. A full-blown U.S. tour would follow in 2010, as well as deciding on a name for the band in Atoms for Peace, coming from the Eraser song of the same name. Now, four years since its conception, the band releases their debut album in Amok, which many will call a followup to Thom Yorke’s The Eraser, but is a sound entirely new bringing the strengths of each member to bear.
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Top Ten Thursday: Best Winter Songs

24 Jan

Top 10 Best Winter Songs

Not sure where your neck of the woods is, but where I am (the Chicago area), it got mighty frigid this week. So in honor of our prickly cold weather, we give you the best songs for this time of year, our favorite winter songs. In evaluating these songs, much like how we evaluated  our top ten albums of winter last year, we tried to find the ten songs that best encapsulate the look, feel, and sound of the season; not just our ten favorite songs that just so happened to mention winter. So without further ado, the ten best songs for this frisky weather.
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LxListening: The Win from the Willow

18 Jan

Willow Smith, Radiohead, samples, sampling

Last week brought about one of the more peculiar, but interesting pairings I have heard in terms of artist sampling. 12 year old Willow Smith (famous for her 2010 single “Whip My Hair” and also for being the daughter of the GREATEST actor alive, Will Smith) dropped her new single which samples Radiohead’s bleak but beautiful tune “Codex”, from their King of Limbs album. That’s right; Willow shocked everyone, from her tween fans to Radiohead geeks far and wide, with her song, “Sugar and Spice”. The kicker is, it is actually not a bad song! Musically, it is just “Codex” in its entirety. Lyrically, it’s a surprisingly long and very emotional song written by a 12 year old. Willow went from having one of the biggest pop singles in the world, drawing in a fan base of millions of tweens by being bouncy, loud, and hilarious, to dropping a melancholic introspective of an emotionally wrecked teenager set to the music of a band unknown to most kids her age. This is not only an incredibly ballsy move, but at its core value, a brilliant song for a young girl to put together.

Despite what the trolls of YouTube may say, this is not a “travesty” or a “misuse of Radiohead”; rather a young girl who was inspired by a great band and released a raw and poignant song about her struggles. You may not agree with this statement, but if more people in the music industry took chances like Willow has, the industry might be worth a bit more of a damn these days. But I digress; I was inspired to listen to many other Radiohead samples this week, in search of what makes these samples more socially acceptable than Willow’s. The answer? Nothing, really. It’s merely the fact that she is only 12, which apparently makes her inexperienced and unqualified to turn an existing song into her own original piece of art, which everyone else is doing these days. I could talk about this forever, but I will just list what I have been listening to lately … a bunch of songs that sample Radiohead, including Willow’s.

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